Canto 3 - Day 1: Grisaille

I made the decision last week, to begin with, Canto 3.  It was more of a practical choice because the model I chose for Dante would not be available to pose until mid-November, thus I chose a canto with a back pose for the main character.  Choosing to start with this panel was also a symbolic choice for me as it marks the beginning of my voyage as an artist.  Where this artistic journey will take me over the next 2-3 years I do not know but it will be transformative and historic. This project is unlike any epic project I've ever taken on.  It has taken me months of contemplation, sketching from models, arranging compositions, consulting with Dante scholar, Professor Kleinhenz and having the guts to move forward, not knowing how this will all evolve.  I appreciate all the support I've received the last few months, all the financial contributions from private collectors and the support I received from Jerry's Artarama.  I could not have done this without you.

 Day 1 with the first AlumaComp aluminum panel from Jerry's Artarama (protective film still attached to the substrate)

Day 1 with the first AlumaComp aluminum panel from Jerry's Artarama (protective film still attached to the substrate)

 AlumaComp panel (brushed side up) - applying the first coat of grey acrylic gesso

AlumaComp panel (brushed side up) - applying the first coat of grey acrylic gesso

 Smoothing out the third and final coat of acrylic gesso.  After a few hours of drying time I sand the panel down using a sand paper block.  Start with 100 grit and progress to 200 grit for a smooth finish

Smoothing out the third and final coat of acrylic gesso.  After a few hours of drying time I sand the panel down using a sand paper block.  Start with 100 grit and progress to 200 grit for a smooth finish

 Doing a rough sketch grisaille of Canto 3.

Doing a rough sketch grisaille of Canto 3.

 Day 1 - Canto 3 - finished the rough in of the panel

Day 1 - Canto 3 - finished the rough in of the panel

11/3/2016 Meeting With Professor Kleinhenz

 Artist Eric Armusik and world-renowned Dante scholar Dr. Christopher Kleinhenz on 11/3/2016

Artist Eric Armusik and world-renowned Dante scholar Dr. Christopher Kleinhenz on 11/3/2016

This past Thursday, November 3, 2016, I finally had the opportunity to meet with Professor Christopher Kleinhenz in person during a lecture he was giving in Gettysburg, Pennsylvania.  Professor Kleinhenz and I have been talking via the phone and sharing information about the project since July 2016.  This was the first time we met face to face and we were excited to talk in depth about the project before his lecture. Later that evening, I was able to attend his brilliant lecture, Poetry and the Visual Arts in the Medieval World: Dante's Divine Comedy.  The timing could not have been better as I was already working on the composition for the first panel this weekend.  Once again, I'm so grateful that Professor Kleinhenz will be working with me closely throughout the project to advise me on my compositions so that they stay true to the original intent of the poem written almost 700 years ago.

The Good News About My Failed Kickstarter Campaign

The Good News About My Failed Kickstarter Campaign

As many of you know, my Kickstarter campaign for my Inferno project has ended. Upon launching the campaign in mid August, I was immediately approached by several private collectors that wished to contribute to the project, though not publicly, on Kickstarter. It quickly became evident that Kickstarter wasn’t the best approach so I chose to just let it run its course. Thankfully, I have almost 60% of the project funded. It seems that once again, I’ve been surprised by the outpouring of encouragement and support from so many old and new collectors.